If not, cut it to get the noise down.Īs you do this, one caveat is if you go into noise reduction or dynamic range expansion, don't use too much.Īs far as makes and models, there really is not that much difference. you can preserve a little bit of that high end if any. This shrillness of which you speak, to get rid of it, are you cutting like the 8K and 4K or what ? I've run across recordings that benefitted from that, and boosting the 16K. and range ? Like plus 16 to minus 50 dB in some cases. Any real EQ is generally done at the mixing board and most of those are just three channel, but some have a parametric midrange control that, actually I wish they put those in amps. They need those narrow bands to do the job while affecting the sound as little as possible. Those pro models with 31 bands are not necessarily for sound enhancement, they are more for feedback elimination from the microphones. It is rare that you should need more than ten bands per channel to do this. Not that there is anything wrong with the newer ones, I just like the old ones better. Not much of an effect but it does not happen with those OPAMP based ones. It may be because in the circuit when two controls are used in the same direction at the same time the tank circuits start to be in parallel and smooth out the response as if it was one control. Personally, I think EQs that use real coils sound better.
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